ISADORAThe Isadora chair is inspired by the grace of Isadora Duncan, a pioneer of contemporary dance. Its original concept is shaped by the seamless combination of wood and saddle leather.The solid wood structure traces out a sinuous and agile design thanks to the skilled work on its profiles.
ALOFluid, dynamic, ergonomic, and decidedly modern designs. A comfortable seat for a stool that can be easily adapted to use in all rooms of the house. Curved multilayer wood structure. olyurethane foam padding. Upholstered in Pelle Frau® leather. Chrome-finished steel structure.
AMELIEThe shape is simple, the materials precious. A seat of lithe, natural elegance. Ideal for the scenography of contemporary living. It is beautifully finished in Pelle Frau® leather. All the upholstery is attached to the structure, and is held in place by simple clasps which themselves become an elegant, decorative motif of the design. Amelie is available with or without armrests.
BEATRICEThe alternation between leather and wood creates measured graphic effects, especially behind the backrest, where a curved wooden panel is grafted elegantly into the rear legs. The frame is made entirely from solid oak, with the back panel in curved multilayer beech and an oak veneer.
DIVADiva becomes a collection. The new armchair designed by Roberto Lazzeroni joins the chair, echoing its elegance and traditional feel. The sinuous armrests emerge naturally from the shell to create a welcoming seat that is designed to guarantee new sensations of comfort.
DONALDThe chair and backrest are made from thermoplastic material. Upholstered in Pelle Frau® leather. May also be supplied with folding arms. Various accessories available for the stocking and lining up of more than one chair.
DU 30Du 30 chair has a shaped single shell in steel mesh with moulded polyurethane foam padding. Legs in bent welded iron tubing with a textured, wrinkled black finish (NERO RAL 9005). Upholstery in Pelle Frau® leather. Fitted with a lower 'backbone', the shell is attached directly to each pair of legs with screws.
FITZGERALDA seat of extreme formal simplicity, which exudes elegance through every detail. Delicate hand crafted cross seams which embellish the inside of the seat and back. The edges of the backrest are underlined by an aluminium profile with a Ruthenium finish, also echoed in the feet.
A refined and simple easy chair. Neat, essential, and comfortable. A soft leather shell, comfortable and protective, enhanced by visible topstitching that runs along whole of the outside edge, creating an elegant decorative effect. Designed both as a natural accompaniment to the Fred desk, and as a separate seat.
GINGER ALEFresh, well-designed, and highly modern with a number of variants, Ginger Ale lends versatility to work spaces, as a seat for individual workstations or meeting rooms, and to public spaces or study and work areas in the home.
JEFFJean-Marie Massaud deconstructs and reconstructs the classic dining table chair according to the principles of radical architecture. A circle for the seat. A cylindrical profile for the backrest. Four intersecting lines for the base. Elements that meet in a new vision. An incredibly modern seat. Almost a sculpture. A noble and sophisticated presence that distinguishes and characterises the space.
LE SPIGHEA new interpretation of the bar stool. The footrest extends out from the seat, and the soft disc that forms the seat, would seem to float above this American walnut wood stool.
LIZThe simple designs and structures of Liz and Liz_b hint at the formal language of the 1950s. Seasoned beech structure. Seasoned beech feet, which are available natural, raw, whitened, cherry-coloured or wengé finished.
LIZ_BA variation of Liz, with the same rigour and simplicity of form. In this version the line of the arm rest is clear-cut and square, forming part of the body of the seat. The frame is in beech-wood, as are the feet, which come in stained walnut, stained cherry, natural, bleached, untreated or with a special wengè finishing.